Lili Boulanger's D'un Matin de Printemps, arranged for full orchestra by the composer from a violin and piano piece in 1918, is almost the last piece she wrote before her tragically early death in that year, at the age of 24. 

Our two soloists join the orchestra for Mozart's Concerto for Flute and Harp, one of only two true double concertos that he wrote, as well as the only piece of music that Mozart wrote that contains the harp. The piece is one of the most popular such concerti in the repertoire. 

Berlioz's wonderful programmatic Symphonie Fantastique, which tells the story of an artist's self-destructive passion for a beautiful woman, brings the concert to a close.